All RAEBURN, Sir Henry Oil Paintings

Scottish Romantic Painter, 1756-1823 Scottish painter. He is perhaps the best known of all Scottish painters, with a critical reputation rivalling that of Allan Ramsay. He was almost exclusively a portrait painter, and his work did much to define Scottish society in a period of immense vigour and intellectual distinction. The demand for his work was sufficient to sustain a career wholly in Scotland, although he occasionally regretted his lack of first-hand knowledge of portrait painting in London. His working life, which was largely confined to Edinburgh
 

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RAEBURN, Sir Henry Young Girl Holding Flowers oil on canvas


Young Girl Holding Flowers
Young Girl Holding Flowers
Painting ID::  43931
  1798-1800 Oil on canvas, 92 x 71 cm
  1798-1800 Oil on canvas, 92 x 71 cm

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RAEBURN, Sir Henry Ann Fraser Mrs. Alexander Fraser Tytler oil on canvas


Ann Fraser Mrs. Alexander Fraser Tytler
Ann Fraser Mrs. Alexander Fraser Tytler
Painting ID::  73120
  Date between 1802(1802) and 1806(1806) Medium Oil on canvas Dimensions 76.8 X 63.5 cm (30.24 X 25 in) cyf
  Date between 1802(1802) and 1806(1806) Medium Oil on canvas Dimensions 76.8 X 63.5 cm (30.24 X 25 in) cyf

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RAEBURN, Sir Henry Boy and Rabbit oil on canvas


Boy and Rabbit
Boy and Rabbit
Painting ID::  76770
  1814(1814) Medium Oil on canvas Dimensions 101.6 x 78.8 cm cyf
  1814(1814) Medium Oil on canvas Dimensions 101.6 x 78.8 cm cyf

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RAEBURN, Sir Henry Allen Brothers oil on canvas


Allen Brothers
Allen Brothers
Painting ID::  79316
  early 1790s Medium Oil on canvas cyf
  early 1790s Medium Oil on canvas cyf

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     RAEBURN, Sir Henry
     Scottish Romantic Painter, 1756-1823 Scottish painter. He is perhaps the best known of all Scottish painters, with a critical reputation rivalling that of Allan Ramsay. He was almost exclusively a portrait painter, and his work did much to define Scottish society in a period of immense vigour and intellectual distinction. The demand for his work was sufficient to sustain a career wholly in Scotland, although he occasionally regretted his lack of first-hand knowledge of portrait painting in London. His working life, which was largely confined to Edinburgh

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